Brakeman's post on Grateful Blue details Van's reissue schedule and dates from 2008.
Van Morrison Reincarnate
Re-issue mania continues to give a boost to the slowly dying
music industry. I am thrilled
to report that it looks like the great Van Morrison finally let somebody with some
marketing savvy into the inner sanctum of Van-ism. It has always appeared that
Van could care less about the commercial success of any of the albums that he
put out. He has always been in it for the music (and some might say also
occasionally in it for God) and although many people believe Van to be a guru,
nobody has ever accused him of being a marketing guru. The goal of the re-issue
craze is to try to get people like us to buy the same music for the second or
third or even fourth time because the format has changed or through your own
stupidity you have misplaced what was once a jewel in your musical collection.

I have a hunch Van Morrison will be quite
successful at this and since he is re-releasing TWENTY-NINE remastered CDs,
all with quality if not significant bonus tracks, there must be some other
people sitting in a board room somewhere who also believe this will be
financially rewarding. Half of my Van Morrison collection is on vinyl and some
of his CDs that I own are of poor sound quality, obviously not remastered. I
just ordered the newly re-issued and re-mastered Wavelength CD, one I never
owned but always mulled over buying. (I had to get something new and check the
sound quality before rushing out to drop money on music that I previously
bought in another format!) The reviews of the sound quality have been glowing
and the master plan is to roll out 29 of Van's gems over the next 13 months in
4 batches. Each will contain upgraded booklets (a rarity in today's CD world)
and previously unreleased bonus material. Here are the release dates:
January 2008 (7 titles) - Tupelo Honey (1971), It's Too Late To Stop Now (2 CD Live
Set) (1974), Wavelength (1978), Into The Music (1979), A Sense Of Wonder
(1985), Avalon Sunset (1989) and Back On Top (1999)
June 2008 (8 titles) - Veedon Fleece (1974), Common One (1980), Inarticulate Speech
Of The Heart (1983), Live At The Grand Opera House, Belfast (1984), No Guru, No
Method, No Teacher (1986), Enlightenment (1990), A Night In San Francisco (2CD
Live Set) (1994) and The Healing Game (1997)
September 2008 (7 titles) - Saint Dominic's Preview (1972), A Period Of Transition
(1977), Beautiful Vision (1982), Poetic Champions Compose (1987), Hymns To The
Silence (2CD Studio Set) (1991), How Long Has This Been Going On (Live At
Ronnie Scott's) (1995), Tell Me Something - The Songs Of Mose Allison (1996)
January 2009 (8 titles) - Hard Nose The Highway (1973), Irish Heartbeat (with The
Chieftains) (1988), Too Long In Exile (1993), Days Like This (1995), The Story
Of Them (2CD Set) (1999), The Skiffle Sessions - Live In Belfast (with Lonnie
Donegan & Chris Barber) (2000), Down The Road (2002) and What's Wrong With
This Picture? (2003)
Noticeably absent and desperately in need of a significant
sound upgrade are Astral
Weeks (1968) and Moondance (1970) and the remarkable His Band & The Street
Choir (late 1970). Apparently the dispute between WB and Van remains
unresolved. All of these great works have both been languishing around on
crappy-sounding non-remastered CDs for over 20 years now and counting.
So now I pose the Question of the Day: What is your favourite
Van Morrison album? Hard to pick but I damn near wore out Astral Weeks when I
bought it for $3 at Wazoo Records. When I arrived in Ann
Arbor one of the first stores I popped into was Wazoo.

A creaky climb up the
wooden steps to the second floor nest of rock and roll history. Rare photos,
liner notes, out-of-print albums, vintage rock and roll articles including a
piece from the Michigan Daily detailing exactly why "Paul is dead!" A
mind opening experience for any 18 or 19 year old. Virtually every album I
still own has a red circle sticker with a hand written $3, $4, or $9-rare! My
favourite time to visit was when I had a dead hour between classes. Not time for
much else but plenty of time to sift through the treasures. It was always nice
to show up to my Spanish class or my American History lecture with a couple of
"new to me" albums under my arm. Although I loved vinyl, especially
the packaging, I was the first guy in my dorm to have a CD player.

Detroit rock
jock legend Aurthur P. did a radio show on WLLZ one Saturday night in the fall
of 1982 and debuted the concept of “digital” music, playing parts of each
track, first from a vinyl album and then the same track in “Compact Disc”
format. I listened in head phones and was totally blown away. To me it was like
listening to the future. I knew in an instant this was where music was going. A
CD player was the only request on my Christmas list that December but luckily I
also got five CDs as well. I quickly added five more titles but those ten CDs
(including Moondance) got a lot of play that term. By the time I moved into the
Delt House in the fall of 1984 I would estimate that about 1/3 to ½ of the
rooms had a CD player. Records were still the $hit and the storage of said
albums was the dominant feature in everyone’s room. Last weekend I pulled my
turntable out of storage and hooked it up to a stereo in my workout room so I
can get some use out of my old albums that my daughter Morgan is suddenly
fascinated with. “Dad, I have never actually heard music from an album or seen
a record player that actually worked.”
Reader Comments
Candyman - LOVE the topic - from many different angles. First - Astral Weeks, basically hands down. As good as some
other albums are (and yes, they are albums...), Astral Weeks is on top. I was a senior in high school and reading Rolling
Stone 15th anniversary Top 100 albums (on the crapper in the house I now live
in...) and Astral Weeks came in at #7 (recently dropped to #19 on their top 500
list) I had never hear it before, and it was very impressionable that it was
top 10 without me hearing it. Next day I went to the used record store and was blown away. Completely.
In addition, for my wife and I, that was "our"
album when we were living at 812 McKinley. We burned a 4 foot candle in a wine
bottle any evening we were enthralled and in love, which was pretty much all
the time. Man, what times.
Third, it is simply incredible music.
In the Rolling Stone article on the album, it stated that
Van came into the session without knowing any of the musicians, handed out the
music, holed himself in his sound booth, and told them to play how they wanted
and felt. It is such a cohesive fabric of music - how could it be relatively
random? Amazing. I spent my high school years at The Record Exchange picking
thru vinyl. Nothing better. $4 or so for this or that. Plus the photos, the
sleeves, the liner notes. Heaven. A by-gone joy, much like the Charleston or
whatever.
In 1985 when I was a freshman on Bursley Lewis 6 (sixth
floor) with Adman and Danny T., I was one of two people with a CD player. Was a
total novelty and 'wow' thing. Used to get CD's in the mail from my brother.
Crazy. Different time for sure. Keith Stults had an outrageous collection that
early. St. Dominic's, Street Choir, Tupelo are great.
Assman - That Wavelength album cover is pretty funny. It has a disco
feel to it. Reminds me of the Grateful Dead's Go To Heaven album
cover. Van is The Man!
Anonymous - One of the things that makes Van the Man so important
musically is that you can always find someone who was
inspired/changed/awakened/brought to tear by almost any one of his CDs. He is
the living oxymoron of "constant change." His personality is a bit
more caustic so I've heard. In one article I read he said he gets infuriated
when people stop him in airports and ask "Do you still have the
dogs?" Apparently the dogs on the cover of Veedon Fleece were not his and
were just part of the photo shoot but his adoring fans always wanted to believe
they were his canines as they just seemed to fit together. Reviewing your list
of Van's work it is amazing how much music he has produced, and how much of it
is truly great.
Taxman - Top 5 Van albums:
1 – Astral Weeks – how great is this album? It’s timeless -
its style is really hard to categorise and impossible to imitate
2 – It’s Too Late to Stop Now – one of the best 10 live
albums ever.
3 - His Band and the Street Choir – Van at his R&B best
4 – Moondance – I listen to it less b/c I’ve heard half the
songs 1000 times but when I do listen, I am never disappointed
5 – St. Dominic’s Preview – another Van R&B classic
I love his late 80s and 90s stuff – even the smooth jazz
cheesy stuff. He can do no wrong in my eyes (except when I see him live and he
plays 55 minute concerts @$100 a pop. A hidden Van gem but I don’t see it on this list either is A
Philosopher’s Stone – a 2 CD collection of unreleased songs from the 70s and
80s that is actually remarkable.
bg93245 - For me it would be... No Guru No Method No Teacher. But i
think it really has to do with where we are in our lives when an album hits hard
and deep.
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